Sep 27 11

Me, Myself and Irene

by admin

An essay I wrote for my previous newspaper, The Long Islander, about covering Hurricane Irene on Long Island in August 2011:

It seemed crazy, the idea of driving home to Long Island the weekend of a hurricane. Friends, family, even journalist colleagues urged me to stay back in Pennsylvania, to put personal safety over professional curiosity, to schedule a visit for another time.

Before Irene, the weekend home had been planned as a reunion with my parents and visiting grandparents. As the storm neared, it morphed into a hybrid of family time and reporting time. My dad, a journalist for more than 50 years, suggested covering the storm first-hand for The Citizens’ Voice in Wilkes-Barre, Pa., the newspaper where I’ve covered courts and politics since December 2007.

My editor agreed, and off I went, packing cameras, computers, rain gear and as many batteries as I could find. Driving along Interstate 80 not far from Wilkes-Barre, the signs of the approaching storm were already evident: heavier than usual westbound traffic, tree-trimming trucks with Ohio license places racing eastbound and half-hour waits in line at a Walmart just off the highway in East Stroudsburg.

In New York, the signs were even clearer. Overhead message boards on the Cross Bronx Expressway and the Cross Island Parkway, in Queens, warned of mandatory coastal evacuations. Supermarkets on Long Island were wiped clean of bread, water and batteries and Best Buy ran out of radios. Targets and Walmarts across the Island planned temporary closures.

Irene was coming, the threat was real and I had arrived in the middle of it.

Forecasters were predicting a direct hit for Long Island and untold damage to the Island’s barrier beaches and inland communities. Irene would be the worst storm to hit Long Island since Gloria, which left hundreds of thousands without power for more than a week and led this reporter to remark, at age 1, “No yights, yet!”

On Saturday, after bagels with the family, I ventured to the South Shore to report on preparations and get a grasp of the attitudes Long Islanders had toward the storm. I drove as far south on the Robert Moses Causeway as I could. The state park police had blocked the path to the causeway’s second span, but still allowed access to Ocean Parkway and Gilgo Beach.

There, about two dozen people watched as waves crashed against the shore. Like me, they explained, they were curious and wanted to see for themselves the early effects of the storm. I recounted the scene later in a story for Sunday’s issue of The Citizens’ Voice:

The curious flocked to Gilgo Beach on the Atlantic Coast of Long Island on Saturday to experience first-hand the early effects of Hurricane Irene. They watched from the tops of dunes and along the ever-narrowing beach as waves crashed in the distance and the foamy surf crept closer.

“This is awesome!” Jeannine Guenther said as she snapped pictures of the scene: overcast skies, white-capped waves and a surf that resembled the frothy, crème-colored top of a cappuccino. “Very rarely do Long Islanders get to see waves like this. You’ve got to check it out.”

Covering Hurricane Irene’s impact on Long Island for a newspaper in Pennsylvania afforded a unique opportunity to introduce my home region to a new audience, to educate readers about our great communities and the people who live in them.

One of the great benefits of reporting is the opportunity to meet and speak with almost anybody, all in the name of news.

Within an hour on Saturday, I had met Ms. Guenther, who planned to attend a friend’s birthday party Saturday night despite the storm; an upbeat liquor store owner named Ram Matlani, who strived to keep his store open on a normal schedule; and Pedro Contreras, a El Salvadorian immigrant living in Brentwood, who took his family to the Bay Shore ferry docks for a little fishing before the storm.

“Hi, my name is… I’m a reporter with…” is a great ice breaker.

As the day wore on, I became curious about the storm preparations in Northport, a community I used to cover, and for which I still have great fondness. Though  Northport is on the North Shore, forecasters were predicting a heavy storm surge out of the Long Island Sound and, combined with a near simultaneous high tide, the potential for flooding in low-lying areas.

Northport Harbor appeared placid that afternoon, with sailboats moored far from the docks, precautionary sandbags placed around the entrance to St. Philip Neri church and a sign on another church reminding worshippers that there would be no Sunday mass, due to Irene.

By the next morning, the placidity was gone. Trees were down across Northport and the rest of Long Island. On Laurel Avenue, a 13,000-volt power line burned and hissed for hours, occasionally exploding.

I stood across the street from the sparking power line for 20 minutes in one of my first stops after the worst of Irene had passed on Sunday. The explosions were terrifying. Bright balls of white, blue sparks and the fear — perhaps irrational — that the electricity would somehow arc and harm me and the people around me: firefighters and a family that had stopped by to watch the electrical show.

I spent Saturday night into Sunday morning at my parents’ home in Commack, turning their living room into a veritable news bureau. I monitored storm-related Twitter feeds, radar and tornado warnings on my laptop, police and fire calls on a radio scanner and switched the television between local news coverage of the storm and The Weather Channel.

I stayed mostly wide awake, driven by the adrenaline of a major news event and the fear that sleeping would compromise my family’s safety if a tornado struck.

By Sunday morning, as the worst of the storm seemed to be passing, our power failed, forcing me to a back-up plan for Sunday’s coverage. After several hours out on the road reporting, with stops in Northport, Oceanside and Long Beach, which had become the focal point of national coverage, I returned home and started on a Rube Goldberg process to get my photos and story from Long Island to Pennsylvania.

I wrote and edited on my MacBook and then, without an internet connection, transfered my work to two other battery powered devices: an iPad and my iPhone. Once it became clear the iPad’s AT&T network had been compromised by the storm, I tried sending with the iPhone, on Verizon. Sending a photo, a process that takes several seconds with WiFi, took upwards of 10 minutes.

Writing a story, with little light to read notes and no Internet to check facts, such as the latest number of power outages or the status of evacuation orders, proved frustrating and enlightening. Without power, the physical task of writing and editing became more difficult — a reminder of just how dependent we as journalists and as a society have become on technology and electricity.

Still, regardless of impediments, the underlying tasks remained the same: telling stories, reporting the news. I am proud to have had an opportunity to cover Hurricane Irene and meet the many people who helped shape my stories. Driving to Long Island in the face of a hurricane was the right decision, even if it did seem crazy.

An award winning photojournalist and reporter, Michael Sisak worked full-time at Long Islander Newspapers in 2004 and 2005 while he was an undergraduate at Hofstra University. A Commack native, he is currently a reporter for The Citizens’ Voice in Wilkes-Barre, Pa. He returned to Long Island last week to cover the arrival of Hurricane Irene, and to visit with his parents in Commack.

May 7 11

With liberty and justice — for all

by admin

An editorial I wrote for the May 3, 2011 issue of The Citizens’ Voice, after the killing of Osama bin Laden:

Nearly a decade ago, in the aftermath of the callous attack we have come to know simply as 9/11, the United States launched a global war with the seemingly impossible goals of bringing those responsible to justice and eradicating terrorism worldwide.

On that awful day, terrorists under orders from a criminal mastermind half a world away hijacked jets from airports in Boston, Newark and Washington and turned them into missiles aimed at symbols of American might and prosperity.

In their wake: thousands of lives lost, thousands of families shattered, millions of tears shed, America and the world changed forever.

After years of hard pursuit centered on the cavernous Tora Bora Mountains of Afghanistan, American forces cornered that mastermind in a mansion outside Islamabad, Pakistan.

After a 40-minute exchange of gunfire, Osama Bin Laden — the de facto head of the al-Qaeda terrorist organization and worldwide symbol of evil — was dead.

His death, announced late Sunday by President Barack Obama, is little consolation to the families who lost loved ones on 9/11 or in the al-Qaeda attacks on two American embassies in Africa in 1998 and on the U.S.S. Cole in 2000.

His death is little consolation too to the millions of Americans chilled by the reality of terror on our shores, to the millions of Americans who yearn for life the way it was before 9/11 — but it is an important and historic moment for America and the world.

It is a time to celebrate and rejoice in the spirit of America, the strength of our Armed Forces and the undying will of our people: wrongs will never go unpunished. Truth, liberty and justice will always prevail.

For some, the celebrations in the streets of New York and Washington and broadcast across the world felt awkward and uneasy. Celebrating death seems so inhumane.

In those reactions to bin Laden’s demise, we celebrated not a death for a death’s sake, but a significant victory over evil. Dancing in the streets, waving flags and chanting “USA! USA!” should not be mistaken for or intended as Americans dancing on a grave.

The most ardent peace activists will disagree. But, in order to have peace society must eliminate the evil who seek to destroy peace. Often, that means death.

The United States would never have existed without the mass casualties of the Revolutionary War. The world would not exist as it is today without the mass casualties of World War II, the eradication of Adolf Hitler and the elimination of his Nazi regime.

Not everyone in the world deserves a hug and a pat on the back for doing a good job. Terrorists do not get participation trophies. They get what they deserve: bullets.

Hug the victims, revile the aggressor. And remember, there are always others who wish us harm.

As President Obama said Sunday night: “The cause of securing our country is not complete. But tonight, we are once again reminded that America can do whatever we set our mind to. That is the story of our history, whether it’s the pursuit of prosperity for our people, or the struggle for equality for all our citizens; our commitment to stand up for our values abroad, and our sacrifices to make the world a safer place.

“Let us remember that we can do these things not just because of wealth or power, but because of who we are: one nation, under God, indivisible, with liberty and justice for all.”

Jan 9 11

First Take on Tastykake

by admin

After struggling for days with the news that Tasty Baking Co. may close or sell, I turn to this wonderful column from Ronnie Polaneczky of The Philadelphia Daily News. In short, Ms. Polaneczky’s sentiments are similar to mine (I’m just not that eloquent or focused in this time of, well, grief).

Tasty is an institution in Philadelphia facing the struggles of economic uncertainty and industrial ebbs and flows. The company must survive — it is as important to the culture and psyche of Philadelphia (and Pennsylvania) as cheesesteaks, scrapple and the Eagles. A sale only works if the company, or its new parent, preserves and expands on Tasty’s delicious namesake Tastykake line of products. Return the pies to their previous size, for example, and get rid of those tins (they smack of corporate overprocess)! Anything less and Tasty’s loyal customers will balk — they’re mostly Philadelphians after all.

Perhaps some other Philadelphia institution could step up and save the day. Wawa would be a good fit for marketing and distribution. The Phillies and Eagles already have sponsorship deals with Tasty, why not add the company to the permanent roster? Or, maybe a purchase by PNC or Citizens Bank to clear the firm’s debt. And why wouldn’t Comcast want a baking company? Their acquisition of NBC means Bravo will soon be a Comcast subsidiary. I can taste it now, an all-new food-based reality show: Top Chef Kandy Krimpets.

If all else fails, maybe we can all take up a collection, because, it’s true: nobody bakes a cake as tasty as a Tastykake.

Dec 25 10

Crazy Dancers – VIDEO

by admin

While in Queens last week, these folks were kind enough to distract us from the misery that was the Giants-Eagles game. Enjoy. P.S., the blog is back. Check in for daily updates, including a series of posts later today on Christmas.

Mar 17 10

March Madness: Bracket, First Draft

by admin

Here’s the first draft of my NCAA bracket. I’m not really sure about this championship match-up…

Bracket (PDF)

Mar 7 10

The Oscars

by admin

8:31: The nominees for Best Actress and Best Actor are introduced on stage, followed by no, not the hosts, Steve Martin and Alec Baldwin, but the host of the most recent Emmy telecast, Neil Patrick Harris! Harris, the star of “How I Met Your Mother,” lends talent the others lack — singing — with a song about the co-hosts not being able to work alone. Martin and Baldwin sail in from the rafters. Hilarity ensues!

8:36: Teleprompter joke! Martin: “There’s that Damn Helen Mirren.” Baldwin: “That’s Dame Helen Mirren.”

8:40: James Cameron’s wife looks like Stan Winston creation.

8:41: Roommate Andy Staub comments on a cutaway of “The Hurt Locker” director Kathryn Bigelow: “Do you know what a plot is?!” In her defense, she doesn’t look like a Stan Winston creation.

8:43: Jeff Bridges must have been hanging out with Woody Harrelson before the show.

8:44: First award of the night. Penelope Cruz, last year’s Best Supporting Actress, is out to present Best Supporting Actor.

BEST SUPPORTING ACTOR: Christoph Waltz, “Inglourious Basterds.”

And deservingly so. Waltz won all the major awards coming in, and gave one of the great performances ever as the Jew-hunting Nazi officer Hans Landa.

8:55: Jimmy Kimmel in bed with Ben Affleck and Jennifer Garner (in a promo for his post-Oscar special), now that’s a threesome!

8:58: That “Up” guy really does look like Joe Paterno. On that note, “Up” wins Best Animated Feature.

9:00: I hate it when they present the awards in this non-linear order… Supporting Actor, Animated Feature, Original Song… It’s much more efficient when they go Supporting Actor, Supporting Actress, etc.

There’s 10 films nominated for Best Picture. Do we realllly need a clip from each one? That’d lop off at least 10-20 minutes off this sucker.

9:13: Original Screenplay. If “Inglourious Basterds” doesn’t win, there is no justice in… well, it’ll just not be very good.

BEST ORIGINAL SCREENPLAY: Mark Boal, “The Hurt Locker.”

That’s right, an Oscar for a screenplay without a plot. Because rewriting history and World War II (ahem, “Inglourious Basterds”) that’s not original or anything… nah.

9:18: Molly Ringworm is relevant again, thanks to John Hughes’ death.

9:28: It’s time for the short-film categories… Presenter Carey Mulligan’s line about filmmakers taking the “short route” to success made me think of Martin Scorsese.

Documentary (Short Subject): “Music by Prudence” Roger Ross Williams and Elinor Burkett

The real “Prudence” is in some sort of contraption, so of course she’s gonna win.

9:38: Ben Stiller has arrived, dressed as an Avatard and speaking Na’vi. Funny bit that goes off the rails when the fishing pole that had been controlling his “tail” flies onto the stage.

9:48: Stop with the dictionary definitions for your category introductions, Oscar writers!

BEST ADAPTED SCREENPLAY: “Precious.” Boooo, from the “Up in the Air” camp. The writer, Geoffrey Fletcher, didn’t know what to say in his acceptance speech. Ironic. Either that, or he’s nervous because he knows he just stole an Oscar from Jason Reitman and Sheldon Turner.

9:56: Another “Precious” moment? Here’s the award for Best Supporting Actress, preceded by a “ball” joke from Robin Williams. Mo Vaughn is the big favorite, but Anna Kendrick was reallly good in “Up in the Air.”

Mo Vaughn wins!

Costume Design winner, Sandy Powell, says she’s feeling a bit greedy after winning third Oscar. “Then give it back, ya bitch!”

10:18: Oscars musical director Mark Shaiman wrote “Blame Canada,” from “South Park: Bigger, Longer, Uncut.” Excellent choice.

10:19: Was that a cough from Kristen Stewart, or foreshadowing? If this were a movie, she’d be dead by the end of the show.

10:25: Christopher Walken wins for Best Sound Editing! Actually, no. It’s Paul N.J. Ottosson for “The Hurt Locker.” Great sound, no plot. Update: he also wins for Sound Mixing.

10:28: Let’s tell it like it is, the Sci-Tech Awards was a night for nerds.

10:35: Mauro Fiore wins Best Cinematography for “Avatar.” Did he really have anything to shoot tho? Wasn’t it all CGI? Also, with a name like Mauro Fiore, would’ve expected an accent. A Na’vi accent. But no. He’s an American.

10:40: In Memoriam time. Demi Moore presents: “This is the time we pause to celebrate life” and death.

James Taylor sings “In My Life.” After that stirring performance, would it be wrong to shout out, “encore!”?

10:48: No one needs interpretative dance to the score of “The Hurt Locker” unless it involves a dancer getting his limb blown off.

10:54: Gerard Butler and Bradley Cooper out to present a visual effects award. Aren’t they like the same person?

10:59: That “Modern Family” promo might have been the funniest thing on this Oscars telecast.

11:08: The film editing Oscar goes to Bob Murawski and Chris Innis, of “The Hurt Locker.” Too bad they didn’t edit in a plot.

Andy: “Sean Penn? I thought he’d be in jail.”

11:15: Quintin Tarantino might have joined Jeff Bridges and Woody Harrelson for that pre-show toke. And some munchies.

Foreign Film: “The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina

I picked “The White Ribbon” Germany based on a “should win/will win” recommendation from USA Today.

Damn you, USA Today!

11:25: Best Actor time. In a rehash from last year, various former winners, nominees and co-stars come out to pay tribute to the nominees. Michelle Pfeiffer seemingly takes up all allotted time gushing over Jeff Bridges.

11:29: Tim Robbins looks like he’s puffed up since he and Susan Saranwrap parted ways.

11:32: Jeff Bridges, Best Actor. Yeah, that was a surprise. He’s got to be high. So high. And possibly drunk. Probably.

11:39: Best Actress time, who will it be? Bullock? Streep? The left tackle from the Detroit Lions?

11:49: Sandra Bullock wins, reacts quietly, turns to Streep, who urges her to get on stage.

11:52: Barbra Streisand can’t get down the fucking stairs.

“The time has come,” she says… to reward Kathryn Bigelow for Best Director… for a movie with no plot!

11:59: The biggest award gets the most anti-climactic presentation. Tom Hanks comes out, gives a couple lines about the last time 10 films were nominated, then opens the envelope and announces that the mediocre movie with no plot is the best picture. God fucking damn you, Academy.

Mar 7 10

The Plot-Less Locker: A quick review of an Oscar contender

by admin

“The Hurt Locker,” the gritty, low-budget film about an elite Iraq War bomb-disposal unit, has rocketed to the top of the Oscar “will win/should win” lists with a slew of wins at the Independent Spirit Awards and a week of favorable press that seems to have abated that “Avatar” e-mail fiasco. But, is it the best picture? No.

“The Hurt Locker,” directed by Kathryn Bigelow and shot by cinematographer Barry Ackroyd in the same documentary style he brought to “United 93,” is strong on visuals and wild, war-weary characters — but short on plot.

It is a worthy effort, putting viewers in the shoes and goggles of the bomb disposers, but aside from two hours of bomb-after-bomb monotony and the occasional aside into downtime grab ass, there’s not much else.

Best picture? No.

“Jarhead,” about the first Iraq War, was more engaging and “Black Hawk Down,” about a failed military mission in Somalia, was thoroughly better.

Mar 7 10

Oscar Picks

by admin

Will win | Should win | Actual Winner **

Actor in a Leading Role
**Jeff Bridges in “Crazy Heart”
George Clooney in “Up in the Air”
Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”

Actor in a Supporting Role
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
**Christoph Waltz in “Inglourious Basterds”

Actress in a Leading Role
**Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
Meryl Streep in “Julie & Julia”

Actress in a Supporting Role
Penélope Cruz in “Nine”
Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
Anna Kendrick in “Up in the Air”
**Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”

Animated Feature Film
“Coraline” Henry Selick
“Fantastic Mr. Fox” Wes Anderson
“The Princess and the Frog” John Musker and Ron Clements
“The Secret of Kells” Tomm Moore
**“Up” Pete Docter

Art Direction
**“Avatar” Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” Art Direction: Patrice Vermette; Set Decoration: Maggie Gray

Cinematography
“Avatar” Mauro Fiore
“Harry Potter and the Half-Blood Prince” Bruno Delbonnel
“The Hurt Locker” Barry Ackroyd
“Inglourious Basterds” Robert Richardson
“The White Ribbon” Christian Berger

Costume Design
“Bright Star” Janet Patterson
“Coco before Chanel” Catherine Leterrier
“The Imaginarium of Doctor Parnassus” Monique Prudhomme
“Nine” Colleen Atwood
**“The Young Victoria” Sandy Powell

Directing
“Avatar” James Cameron
**“The Hurt Locker” Kathryn Bigelow
“Inglourious Basterds” Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels
“Up in the Air” Jason Reitman

Documentary (Feature)
“Burma VJ” Anders Østergaard and Lise Lense-Møller
**“The Cove” Louie Psihoyos and Fisher Stevens
“Food, Inc.” Robert Kenner and Elise Pearlstein
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers” Judith Ehrlich and Rick Goldsmith
“Which Way Home” Rebecca Cammisa

Documentary (Short Subject)
“China’s Unnatural Disaster: The Tears of Sichuan Province” Jon Alpert and Matthew O’Neill
“The Last Campaign of Governor Booth Gardner” Daniel Junge and Henry Ansbacher
“The Last Truck: Closing of a GM Plant” Steven Bognar and Julia Reichert
**“Music by Prudence” Roger Ross Williams and Elinor Burkett
“Rabbit à la Berlin” Bartek Konopka and Anna Wydra

Film Editing
“Avatar” Stephen Rivkin, John Refoua and James Cameron
“District 9” Julian Clarke
**“The Hurt Locker” Bob Murawski and Chris Innis
“Inglourious Basterds” Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” Joe Klotz

Foreign Language Film
“Ajami” Israel
“The Milk of Sorrow (La Teta Asustada)” Peru
“A Prophet (Un Prophète)” France
**“The Secret in Their Eyes (El Secreto de Sus Ojos)” Argentina
“The White Ribbon (Das Weisse Band)” Germany

Makeup
“Il Divo” Aldo Signoretti and Vittorio Sodano
**“Star Trek” Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” Jon Henry Gordon and Jenny Shircore

Music (Original Score)
“Avatar” James Horner
“Fantastic Mr. Fox” Alexandre Desplat
“The Hurt Locker” Marco Beltrami and Buck Sanders
“Sherlock Holmes” Hans Zimmer
**“Up” Michael Giacchino

Music (Original Song)
“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
**“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett

Best Picture
“Avatar” James Cameron and Jon Landau, Producers
“The Blind Side” Gil Netter, Andrew A. Kosove and Broderick Johnson, Producers
“District 9” Peter Jackson and Carolynne Cunningham, Producers
“An Education” Finola Dwyer and Amanda Posey, Producers
“The Hurt Locker” Kathryn Bigelow, Mark Boal, Nicolas Chartier and Greg Shapiro, Producers
“Inglourious Basterds” Lawrence Bender, Producer
“Precious: Based on the Novel ‘Push’ by Sapphire” Lee Daniels, Sarah Siegel-Magness and Gary Magness, Producers
“A Serious Man” Joel Coen and Ethan Coen, Producers
“Up” Jonas Rivera, Producer
“Up in the Air” Daniel Dubiecki, Ivan Reitman and Jason Reitman, Producers

Short Film (Animated)
“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
**“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park

Short Film (Live Action)
“The Door” Juanita Wilson and James Flynn
“Instead of Abracadabra” Patrik Eklund and Mathias Fjellström
“Kavi” Gregg Helvey
“Miracle Fish” Luke Doolan and Drew Bailey
**“The New Tenants” Joachim Back and Tivi Magnusson

Sound Editing
“Avatar” Christopher Boyes and Gwendolyn Yates Whittle
**“The Hurt Locker” Paul N.J. Ottosson
“Inglourious Basterds” Wylie Stateman
“Star Trek” Mark Stoeckinger and Alan Rankin
“Up” Michael Silvers and Tom Myers

Sound Mixing
“Avatar” Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
**“The Hurt Locker” Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” Greg P. Russell, Gary Summers and Geoffrey Patterson

Visual Effects
**“Avatar” Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
“District 9” Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

Writing (Adapted Screenplay)
“District 9” Written by Neill Blomkamp and Terri Tatchell
“An Education” Screenplay by Nick Hornby
“In the Loop” Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
**“Precious: Based on the Novel ‘Push’ by Sapphire” Screenplay by Geoffrey Fletcher
“Up in the Air” Screenplay by Jason Reitman and Sheldon Turner

Writing (Original Screenplay)
**“The Hurt Locker” Written by Mark Boal
“Inglourious Basterds” Written by Quentin Tarantino
“The Messenger” Written by Alessandro Camon & Oren Moverman
“A Serious Man” Written by Joel Coen & Ethan Coen
“Up” Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy

Feb 25 10

The self-censoring murder suspect

by admin

In court Thursday, murder suspect Fernando Gotay described his reaction to another man pulling a gun and pointing it at his brother in law’s head. Gotay censored himself until his attorney, John Pike, intervened. Here’s their exchange:

Gotay: “I said, ‘oh, oh — shoot.’”
Pike: “Did you say ‘shoot’?”
Gotay: “No, I said the other word.”
Pike: “Shit?”
Gotay: “Yeah, I said, ‘Oh shit, you’ve got to be kidding me.’”

Feb 2 10

Confrontation with the chairman of the Judicial Conduct Board

by admin

Audio of the interview (mp3)

After testifying for more than 90 minutes Tuesday before the Interbranch Commission on Juvenile Justice, the chairman of the state Judicial Conduct Board, John R. Cellucci, didn’t feel like answering anymore questions. He became hostile when asked to explain his remark that a 2006 misconduct complaint against Luzerne County Judges Michael T. Conahan and Mark A. Ciavarella Jr. “didn’t raise a red flag.”

Sisak: “You say there were no red flags in the complaint. If you read through the complaint, there’s accusations that the judges were cavorting with Attorney Powell on his boat, Attorney Powell owns the juvenile detention center. He had cases that racked up $16 million in verdicts that appeared before Judge Ciavarella. No red flags?”

Cellucci: “There’s nothing in there about $16 million.”

Sisak: “There is if you look at the cases listed and do about 10 minutes of research and find out what the judgments are, but nobody ever did that at the Judicial Conduct Board.”

Cellucci: “I stand on my testimony. That’s all.”

Sisak: “Well, I’m asking you a follow up question because you say there were no red flags and that seems pretty preposterous.”

Cellucci: “Well, that’s my statement and I stand by my statement, because that’s the way I saw it and the other board members saw it. Good day gentleman.”

Sisak: “Whoa, whoa, no, no, not a good day.”

Cellucci: “Well then it’s not.”

Sisak: “What was in that summary that led you to believe there were no red flags, was it just a rosy summary about Judge Conahan?”

Cellucci: “It was the whole board’s decision, not mine only.”

Sisak: “OK, but you were there and you testified today.”

Cellucci: “I’m not going to discuss anymore with you.”

Sisak: “You say there were no red flags.”

Cellucci: “Go back and get what I testified.”

Sisak, raising voice: “I heard your testimony and I’m asking you a question, a follow up.”

Cellucci, yelling, wagging finger: “Don’t you yell at me. Who are you to yell at me?!”

Sisak: “Excuse me?”

Cellucci: “Who are you to yell at me?”

Sisak: “I’m asking you a question, and you’re getting in my face.”

Cellucci: “You’re getting in my face!”

Sisak: “You say there were no red flags about Judges Conahan and Ciavarella? In that report there are eight pages of allegations, and you say, ‘well there are no criminal allegations’ —”

Cellucci: “That’s your opinion —”

Sisak: “There were ethical allegations.”

Cellucci to commission attorney: “Would you get this guy out of my hair?”

Commission attorney says Cellucci’s yelling was carrying into hearing room, suggests a follow up by telephone. I suggest moving into another room.

Cellucci: “I’m not going to discuss any more with you. That’s it. Don’t you understand English?”

Sisak: “No red flags…”

Cellucci: “Don’t you understand English?”

Sisak: “Did anybody else say there were no red flags? Was that a discussion that happened in the board room, that we don’t see any red flags here? What were the deliberations that went on here?”

Cellucci, to guard: “I’d get rid of him.”

Sisak: “You don’t like the first amendment, Mr. Cellucci?”